Respective parents are introduced, meals consumed, friends met. Our enthusiasm and empathy for the couple increase with every (funny, awkward, touching) scene.
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The courtship of Adèle and Emma, from walking and talking to tumbling together voraciously, unfolds in a series of lovely, telling encounters. In Adèle's literature class, the teacher had been discussing predestination, love at first sight, and when Adèle first sees Emma walking across a square, you can almost hear the clicks, the cogs falling into place.
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Something, or someone, is missing.Įnter Emma (Léa Seydoux), a few years older, in art college, with a pixie grin and a punky shock of cobalt-blue hair. But when they finally make love, Adèle is unsettled, unsatisfied. She starts a relationship with another student, Thomas (Jérémie Laheurte), and their exploratory conversations about music, about reading, are charming. And it is about growing up, about impossible heartbreak, loneliness.īlue Is the Warmest Color, adapted from Julie Maroh's graphic novel, begins with Adèle - wide-eyed and tousle-haired, from a working-class family in Lille - in high school, studying, hanging with friends. It is about sexual identity - finding it and, in a society still grappling with same-sex relationships, trying to accept it.
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But that's only part of what the extraordinary Blue Is the Warmest Color is really about.ĭirected by Abdellatif Kechiche with a close-up intensity that brings the soul of the central character out from the screen and into your heart (it's emotional 3-D!), this three-hour portrait of a young French woman named Adèle (Adèle Exarchopoulos) captures the dizzying, all-consuming ardor of first love, the joyous discovery of bringing your body and mind into union with another human being. Two women going at it, up, down, over, under, sideways - pretty much devouring each other.